Art and Archaeology of the Unknown Past
Author: Richard F. Townsend,Patricia Rieff Anawalt,Art Institute of Chicago,Los Angeles County Museum of Art
Publisher: Thames & Hudson
Documents more than 220 examples of ancient West Mexican sculpture
Ancient Sculpture from West Mexico : the Andrall E. Pearson Family Collection
Author: Kristi Butterwick
Publisher: Metropolitan Museum of Art
Category: Indian pottery
"Diverse environments, from low-lying marshlands to naturally terraced hillsides to rugged mountains of pine and oak forest, afforded many opportunities for well-being to the inhabitants of what are now the modern Mexican states of Colima, Jalisco, and Nayarit. In the seven-hundred-year period between 300 B.C. and A.D. 400, local hierarchies flourished, power was concentrated in increasingly fewer hands, and the wealthier members of the communities established family lineages that remained intact for many generations." "The compelling importance of place and family is reflected in the size, locations, and contents of the major tombs of that period; often situated near or under dwellings, these were deeply buried shaft-and-chamber tombs. One set of conjoined tombs, excavated in 1993 at the site of Huitzilapa in the Magdalena basin of northern Jalisco, held six personages, five of whom were close family relatives. Well over one hundred ceramic works accompanied the interred, together with conch-shell trumpets, tens of thousands of shell beads, and objects of jade, obsidian, and quartz, testifying to the family's wealth. Many of the ceramic objects were vessels and bowls for food and drink, but there were large, three-dimensional human figures as well, among them one depicting a ballplayer." "The focus of Heritage of Power: Ancient Sculpture from West Mexico. The Andrall E. Pearson Family Collection consists of over forty of these artistically appealing figures, which represent all three of the major styles - and sub-styles - that make up the body of West Mexican ceramic sculpture, named for the states of Colima, Jalisco, and Nayarit." "Included are an introductory illustrated essay, catalogue entries that discuss each of the works in detail - all of them shown in color and, often, in multiple views - and a selected bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Context, Comparison, and Prehistoric Art
Author: Richard G. Lesure
Publisher: Cambridge University Press
Category: Social Science
This book examines ancient figurines from several world areas to address recurring challenges in the interpretation of prehistoric art. Sometimes figurines from one context are perceived to resemble those from another. Richard G. Lesure asks whether such resemblances play a role in our interpretations. Early interpreters seized on the idea that figurines were recurringly female and constructed the fanciful myth of a primordial Neolithic Goddess. Contemporary practice instead rejects interpretive leaps across contexts. Dr Lesure offers a middle path: a new framework for assessing the relevance of particular comparisons. He develops the argument in case studies that consider figurines from Paleolithic Europe, the Neolithic Near East and Formative Mesoamerica.
Author: Vernon J. Knight
Publisher: Cambridge University Press
This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr., begins with a historigraphical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.
Author: Julia Guernsey
Publisher: Cambridge University Press
This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the "potbelly" that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change.
Global Women's Issues and Knowledge
Author: Cheris Kramarae,Dale Spender
For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.
Author: Stephen H. Lekson
Publisher: School for Advanced Research on the
According to archaeologist Stephen H. Lekson, much of what we think we know about the Southwest has been compressed into conventions and classifications and orthodoxies. This book challenges and reconfigures these accepted notions by telling two parallel stories, one about the development, personalities, and institutions of Southwestern archaeology and the other about interpretations of what actually happened in the ancient past. While many works would have us believe that nothing much ever happened in the ancient Southwest, this book argues that the region experienced rises and falls, kings and commoners, war and peace, triumphs and failures. In this view, Chaco Canyon was a geopolitical reaction to the "Colonial Period" Hohokam expansion and the Hohokam "Classic Period" was the product of refugee Chacoan nobles, chased off the Colorado Plateau by angry farmers. Far to the south, Casas Grandes was a failed attempt to create a Mesoamerican state, and modern Pueblo people--with societies so different from those at Chaco and Casas Grandes--deliberately rejected these monumental, hierarchical episodes of their past. From the publisher: The second printing of A History of the Ancient Southwest has corrected the errors noted below. SAR Press regrets an error on Page 72, paragraph 4 (also Page 275, note 2) regarding "absolute dates." "50,000 dates" was incorrectly published as "half a million dates." Also P. 125, lines 13-14: "Between 21,000 and 27,000 people lived there" should read "Between 2,100 and 2,700 people lived there."
Author: Max Marmor,Alex Ross
Publisher: Amer Library Assn
Among the most engaging genres of scholarly literature, art history and architecture history publications appeal to the eye as well as the intellect. In the late 20th century the literature of art history has been documented by two standard reference bibliographies published by the American Library Association: Mary Chamberlin's Guide to Art Reference Books (ALA 1959), and Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (ALA Editions, 1980). Now, a new supplementary volume, Guide to the Literature of Art History 2 (ALA Editions, 2004) has arrived to record and annotate the best art and architecture books and journals published worldwide in the last two decades of the 20th century. supplement its predecessor by recording important publications produced primarily in western languages. Adopting the chapter and numbering system of the first volume, GLAH 2 will help art scholars keep abreast of more recent publications in art and architectural history. An expert team of 24 contributors has come together with editors Max Marmor and Alex Ross to produce this significant work, featuring new titles, volumes, editions, and reprints, while providing ample cross referencing to GLAH 1. and Cultural Heritage, which covers the literature of art preservation and art law. Librarians and scholars will welcome the new collection development information, including: The best electronic art and architectural history sources. Cumulative 40-year bibliography of art history literature, with GLAH 1. Critical selection of nearly all literature in art history, primarily in Western European languages, since 1977. Resources for art historians outside their areas of specialization. architectural literature for the last two decades of the 20th century, Guide to the Literature of Art History 2 is the authoritative, must-have resource for all art history students, institutions, and agencies.
Small-scale Indices of Large-scale Social Phenomena
Author: Christina T. Halperin
This book examines figurines from the Olmec to the Aztec civilizations. This book also analyzes these objects by their stylistic attributes, archaeological content, function.
Highlights of the Michael C. Carlos Museum Collection of Art of the Ancient Americas
Author: Rebecca Stone-Miller,William B. Size
Publisher: Michael C Carlos Museum
Presents almost 600 works of art from Mesoamerica southward, with emphasis on the lesser-known area of ancient Costa Rica. This catalogue places emphasis on the shamanic experience of transformation into animal selves, since this subject preoccupied artists throughout the ancient Americas.
Art from Sacred Landscapes
Author: Richard F. Townsend
Publisher: Prestel Pub
A lavishly illustrated catalog of a traveling exhibition marking the Columbus quincentennial explores the common threads in fourteen pre-Columbian cultures, from the Olmec, Maya and Aztec of Mexico and Guatemala through the Chavin culture (900-200 B.C.) of the Andes to the Moche, Chimu and the Inca empire, accompanied by essays from 26 scholars examining sacred geographies, myths and ancient beliefs as they are transmitted through visual arts and architecture.
Author: Colin McEwan,British Museum
Category: Indian art
This history of Mexican mosaics, distinct from Greek or Roman mosaics in that they are portable objects rather than architectural ornamentation, offers insight into Mesoamerican cosmogony, religious ritual, politics, trade, societal composition, and other
pre-columbian art from the Carroll Collection
Author: John Fredrik Scott,Laura W. Johnson-Kelly,Herbert F. Johnson Museum of Art
Publisher: Herbert F. Johnson Museum of Art Cornell University
Ceramic Diagrams of Sacred Space in Ancient Peru
Author: Juliet B. Wiersema
Publisher: Latin American and Caribbean A
"This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation."
Author: National Endowment for the Humanities
Category: Federal aid to education
The Archaeology of West and Northwest Mexico
Author: Michael Stewart Foster,Shirley Gorenstein
Category: Indians of Mexico
Author: J. J. Brody
Publisher: School for Advanced Research on the
Category: Social Science
A distinguished scholar of Southwestern Native arts for over thirty years, J.J. Brody here returns to his early work on the Mimbres ceramic tradition, which established him as the leading authority on the arts of this ancient people. The Mimbres cultural florescence between A.D. 1000 and A.D. 1140 remains one of the most visually astonishing and anthropologically intriguing questions in Southwest prehistory. In this revised edition, Dr. Brody incorporates the extensive fieldwork done on Mimbres sites since the original publication in 1977, updating his discussion of village life, the larger world in which the Mimbres people lived, and how the art that they practiced illuminates these wider issues. He addresses human and animal iconography, the importance of perspective and motion in perceiving Mimbres artistry, and the technology used to produce the ceramics. Placing the study of ancient art and artifacts in the present, he notes the impact of the antiquities market on archaeological and artistic research.
Into the Wilds of Psychoanalysis
Author: Rubén Gallo
Publisher: MIT Press
Freud's Mexico is a completely unexpected contribution to Freud studies. Here, RubénGallo reveals Freud's previously undisclosed connections to a culture and a psychoanalytic traditionnot often associated with him. Freud found a receptive audience among Mexican intellectuals, readMexican books, collected Mexican antiquities, and dreamed Mexican dreams; his writings bear thetraces of a longstanding fascination with the country. In the Mexico of the 1920s and 1930s, Freudmade an impact not only among psychiatrists but also in literary, artistic, and political circles.Gallo writes about a "motley crew" of Freud's readers who devised some of the mostoriginal, elaborate, and influential applications of psychoanalytic theory anywhere in the world:the poet Salvador Novo, a gay dandy who used Freud to vindicate marginal sexual identities; theconservative philosopher Samuel Ramos, who diagnosed the collective neuroses afflicting his country;the cosmopolitan poet Octavio Paz, who launched a psychoanalytic inquiry into the origins of Mexicanhistory; and Gregorio Lemercier, a Benedictine monk who put his entire monastery intopsychoanalysis. After describing Mexico's Freud, Gallo offers an imaginative reconstruction ofFreud's Mexico. Although Freud himself never visited Mexico, he owned a treatise on criminal law bya Mexican judge who put defendants--including Trotsky's assassin--on the psychoanalyst's couch; heacquired Mexican pieces as part of his celebrated collection of antiquities; and he recorded dreamsof a Mexico that was fraught with danger. Freud's Mexico features a varied cast of characters thatincludes Maximilian von Hapsburg, Leon Trotsky and his assassin Ramón Mercader, Frida Kahlo, DiegoRivera--and even David Rockefeller. Gallo offers bold and vivid rereadings of both Freudian textsand Mexican cultural history.