Critical Terms for Art History, Second Edition

Author: Robert S. Nelson,Richard Shiff

Publisher: University of Chicago Press

ISBN: 9780226571690

Category: Art

Page: 540

View: 4678

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

Critical Terms for Art History

Author: Robert S. Nelson,Richard Shiff

Publisher: Rand Corporation

ISBN: 9780226571652

Category: Art

Page: 364

View: 9129

Item consists of essays, each on a term (for example "gender", "representation", "avant-garde", "fetish", "gaze", "collecting/museums").

Monuments and Memory, Made and Unmade

Author: Robert S. Nelson,Margaret Olin

Publisher: University of Chicago Press

ISBN: 9780226571577

Category: Art

Page: 345

View: 9736

How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument." Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Contributors: Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung

From Museum Critique to the Critical Museum

Author: Katarzyna Murawska-Muthesius,Piotr Piotrowski

Publisher: Routledge

ISBN: 1317132041

Category: Language Arts & Disciplines

Page: 272

View: 2647

Since the late nineteenth century, museums have been cited as tools of imperialism and colonialism, as strongholds of patriarchalism, masculinism, homophobia and xenophobia, and accused both of elitism and commercialism. But, could the museum absorb and benefit from its critique, turning into a critical museum, into the site of resistance rather than ritual? This book looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues. Drawing together both major museum professionals and academics, it examines the theoretical concept of the critical museum, and uses case studies of engaged art institutions from different parts of the world. It reaches beyond the usual focus on western Europe, America, and ’the World’, including voices from, as well as about, eastern European museums, which have rarely been discussed in museum studies books so far.

in, side - throughtout

Author: BOSI Contemporary

Publisher: Lulu.com

ISBN: 1312546786

Category:

Page: N.A

View: 8521

Rethinking Australia’s Art History

The Challenge of Aboriginal Art

Author: Susan Lowish

Publisher: Routledge

ISBN: 1351049976

Category: Art

Page: 221

View: 7232

This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.

Heikle Gespräche

Worauf es ankommt, wenn viel auf dem Spiel steht

Author: Kerry Patterson,Al Switzler,Joseph Grenny,Ron McMillan

Publisher: Linde Verlag GmbH

ISBN: 3709402522

Category: Law

Page: 240

View: 2078

Der New-York-Times-Bestseller in der 2. Auflage Ob am Arbeitsplatz, in der Partnerschaft, der Familie oder im Freundeskreis, wir alle kommen hin und wieder in die Lage, heikle Dinge offen ansprechen zu müssen. Aber wer führt schon gern Gespräche, bei denen Meinungsverschiedenheiten, Einwände und Ärger vorprogrammiert sind? Viele Menschen schrecken davor zurück, weil sie nicht wissen, wie sie sich in solchen Situationen richtig verhalten sollen. Genau dabei hilft dieses Buch. Der Bestseller liefert praktische Tipps und Techniken und zeigt nun bereits in der zweiten, überarbeiteten Auflage, wie man schwierige Gespräche konstruktiv meistert und auch über unangenehme Themen gelassen diskutiert.

Shaky Ground

Context, Connoisseurship and the History of Roman Art

Author: Elizabeth Marlowe

Publisher: A&C Black

ISBN: 1472502094

Category: History

Page: 160

View: 9409

The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

Hagia Sophia, 1850-1950

Holy Wisdom Modern Monument

Author: Robert S. Nelson

Publisher: University of Chicago Press

ISBN: 9780226571713

Category: Architecture

Page: 278

View: 8474

Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.

Word & Image in Colonial and Postcolonial Literatures and Cultures

Author: Michael Meyer

Publisher: Rodopi

ISBN: 9042027436

Category: Literary Criticism

Page: 379

View: 4323

Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries.Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.

The Design of Everyday Things

Psychologie und Design der alltäglichen Dinge

Author: Norman Don

Publisher: Vahlen

ISBN: 3800648105

Category: Business & Economics

Page: 320

View: 5578

Apple, Audi, Braun oder Samsung machen es vor: Gutes Design ist heute eine kritische Voraussetzung für erfolgreiche Produkte. Dieser Klassiker beschreibt die fundamentalen Prinzipien, um Dinge des täglichen Gebrauchs umzuwandeln in unterhaltsame und zufriedenstellende Produkte. Don Norman fordert ein Zusammenspiel von Mensch und Technologie mit dem Ziel, dass Designer und Produktentwickler die Bedürfnisse, Fähigkeiten und Handlungsweisen der Nutzer in den Vordergrund stellen und Designs an diesen angepasst werden. The Design of Everyday Things ist eine informative und spannende Einführung für Designer, Marketer, Produktentwickler und für alle an gutem Design interessierten Menschen. Zum Autor Don Norman ist emeritierter Professor für Kognitionswissenschaften. Er lehrte an der University of California in San Diego und der Northwest University in Illinois. Mitte der Neunzigerjahre leitete Don Norman die Advanced Technology Group bei Apple. Dort prägte er den Begriff der User Experience, um über die reine Benutzbarkeit hinaus eine ganzheitliche Erfahrung der Anwender im Umgang mit Technik in den Vordergrund zu stellen. Norman ist Mitbegründer der Beratungsfirma Nielsen Norman Group und hat unter anderem Autohersteller von BMW bis Toyota beraten. „Keiner kommt an Don Norman vorbei, wenn es um Fragen zu einem Design geht, das sich am Menschen orientiert.“ Brand Eins 7/2013 „Design ist einer der wichtigsten Wettbewerbsvorteile. Dieses Buch macht Spaß zu lesen und ist von größter Bedeutung.” Tom Peters, Co-Autor von „Auf der Suche nach Spitzenleistungen“

Der Tätowierer von Auschwitz

Die wahre Geschichte des Lale Sokolov

Author: Heather Morris

Publisher: Piper ebooks

ISBN: 3492992641

Category: Biography & Autobiography

Page: 304

View: 7839

1942 wurde Lale Sokolov nach Auschwitz deportiert. Seine Aufgabe war es, Häftlingsnummern auf die Unterarme seiner Mitgefangenen zu tätowieren, jene Nummern, die später zu den eindringlichsten Mahnungen gegen das Vergessen gehören würden. Er nutzte seine besondere Rolle und kämpfte gegen die Unmenschlichkeit des Lagers, vielen rettete er das Leben. Dann, eines Tages, tätowierte er den Arm eines jungen Mädchens – und verliebte sich auf den ersten Blick in Gita. Eine Liebesgeschichte begann, an deren Ende das Unglaubliche wahr werden sollte: Sie überlebten beide. Eindringlich erzählt Heather Morris die bewegende, wahre Geschichte von Lale und Gita, die den Glauben an Mut, Liebe und Menschlichkeit nie verloren.

Richard Serra

Forged Sculpture

Author: Richard Shiff,Richard Serra

Publisher: N.A

ISBN: 9781941701171

Category:

Page: 144

View: 8230

Widely regarded as one of the most influential American artists working today, Richard Serra is known in particular for his large steel sculptural forms, which deal primarily with investigations of weight, balance, density, and scale, as well as their effect on the viewer and his/her sense of space. Serra's relentless pursuit of these questions over the course of his celebrated career has deepened our understanding of the effects of sculpture on space and perception, and broadened the scope of what we allow the genre to address. Published on the occasion of Serra's 2015 exhibition Equal at David Zwirner, New York, this catalogue is the first in-depth overview of the artist's works in forged steel. Serra first began using forged steel after encountering a large-scale forge at a steel mill in Germany in 1977. Unlike casting, wherein steel is heated until molten and poured into a mold, forging is the process of changing metal's shape while in a solid state, through extreme heat and pressure. Serra's first forged sculpture was Berlin Block for Charlie Chaplin (1977), installed outside of the Mies van der Rohe-designed Neue Nationalgalerie in Berlin. Since then, he has continued to use this material in different configurations and formats to create works that use forged blocks, rounds, or lintels. Designed by McCall Associates in close collaboration with the artist, Richard Serra: Forged Sculpture presents a survey of Serra's forged sculpture since 1977, featuring new scholarship by art historian Richard Shiff and an essay by Serra, along with beautifully illustrated photographs of the forging process. Bringing together over forty detailed plates of forged works, this unique book not only introduces readers to an important aspect of Serra's work, but uses these works to return to the eternal questions of weight, balance, and perception in his practice.

Der Selbstmord Europas

Immigration, Identität, Islam

Author: Douglas Murray

Publisher: FinanzBuch Verlag

ISBN: 3960921802

Category: Political Science

Page: 384

View: 2344

Sinkende Geburtenraten, unkontrollierte Masseneinwanderung und eine lange Tradition des verinnerlichten Misstrauens: Europa scheint unfähig zu sein, seine Interessen zu verteidigen. Douglas Murray, gefeierter Autor, sieht in seinem neuen Bestseller Europa gar an der Schwelle zum Freitod – zumindest scheinen sich seine politischen Führer für den Selbstmord entschieden zu haben. Doch warum haben die europäischen Regierungen einen Prozess angestoßen, wohl wissend, dass sie dessen Folgen weder absehen können noch im Griff haben? Warum laden sie Tausende von muslimischen Einwanderern ein, nach Europa zu kommen, wenn die Bevölkerung diese mit jedem Jahr stärker ablehnt? Sehen die Regierungen nicht, dass ihre Entscheidungen nicht nur die Bevölkerung ihrer Länder auseinandertreiben, sondern letztlich auch Europa zerreißen werden? Oder sind sie so sehr von ihrer Vision eines neuen europäischen Menschen, eines neuen Europas und der arroganten Überzeugung von deren Machbarkeit geblendet? Der Selbstmord Europas ist kein spontan entstandenes Pamphlet einer vagen Befindlichkeit. Akribisch hat Douglas Murray die Einwanderung aus Afrika und dem Nahen Osten nach Europa recherchiert und ihre Anfänge, ihre Entwicklung sowie die gesellschaftlichen Folgen über mehrere Jahrzehnte ebenso studiert wie ihre Einmündung in den alltäglich werdenden Terrorismus. Eine beeindruckende und erschütternde Analyse der Zeit, in der wir leben, sowie der Zustände, auf die wir zusteuern.

Bridget Riley

Works 1981-2015

Author: Richard Shiff

Publisher: N.A

ISBN: 9781941701232

Category:

Page: 120

View: 7180

Bridget Riley's explorations of perception through form and color have made her into one of the most significant painters working today. Since the early 1960s, she has used elementary shapes--lines, circles, curves, and squares--to create visual experiences that immediately draw the viewer in, often triggering optical vibrations and illusions. More recently, Riley has shifted back to black and white in her large-scale paintings, marking a departure from her colored stripe paintings and a return to the palette of some of her earliest works. Published on the occasion of her 2015 solo exhibition at David Zwirner, Bridget Riley: Works from 1980-2015 presents paintings from the last thirty-five years of her career, including images of Rajasthan, a wall painting previously shown in Germany and England, and exhibited for the first time in New York. These dynamic reproductions begin with stripe paintings from the 1980s and end with a coda of sorts --a return to black and white that ties back to her work from the 1960s, but bear traces of Riley's deep engagement with color in the interim. Also included is a selection of the artist's works on paper; taken together, these aspects of her practice reveal the variety she has achieved by developing and rediscovering different forms. An essay by art historian Richard Shiff helps contextualize the developments in Riley's practice, and emphasizes her influence and lineage as a painter. Rounding out the publication are biographical notes by Robert Kudielka, one of the artist's foremost critics. With a career spanning six decades, Riley remains one of the most exciting painters today, and this catalogue presents a selection of works from what may be her richest period to date.

Eine kurze Geschichte der Menschheit

Author: Yuval Noah Harari

Publisher: DVA

ISBN: 364110498X

Category: History

Page: 528

View: 3994

Krone der Schöpfung? Vor 100 000 Jahren war der Homo sapiens noch ein unbedeutendes Tier, das unauffällig in einem abgelegenen Winkel des afrikanischen Kontinents lebte. Unsere Vorfahren teilten sich den Planeten mit mindestens fünf weiteren menschlichen Spezies, und die Rolle, die sie im Ökosystem spielten, war nicht größer als die von Gorillas, Libellen oder Quallen. Vor 70 000 Jahren dann vollzog sich ein mysteriöser und rascher Wandel mit dem Homo sapiens, und es war vor allem die Beschaffenheit seines Gehirns, die ihn zum Herren des Planeten und zum Schrecken des Ökosystems werden ließ. Bis heute hat sich diese Vorherrschaft stetig zugespitzt: Der Mensch hat die Fähigkeit zu schöpferischem und zu zerstörerischem Handeln wie kein anderes Lebewesen. Anschaulich, unterhaltsam und stellenweise hochkomisch zeichnet Yuval Harari die Geschichte des Menschen nach und zeigt alle großen, aber auch alle ambivalenten Momente unserer Menschwerdung.

Choice

Publication of the Association of College and Research Libraries, a Division of the American Library Association

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Academic libraries

Page: N.A

View: 6494