Author: Andy Merrifield
Publisher: Critical Lives
Category: Biography & Autobiography
Andrew Merrifield's Guy Debord is a concise yet comprehensive study of one of the foremost intellectual revolutionaries of the twentieth century.
Author: Pamela Odih
Publisher: Cambridge Scholars Publishing
On 15th October 2011, hundreds of anti-capitalist protestors assembled into a spectacular carnivalesque procession towards Paternoster Square; the heartland of London’s banking district. Beginning with Althusser’s concept of ‘interpellation’, this book examines Occupy LSX St Paul’s Cathedral in relation to media spectacle. Initially focusing on arrival narratives, it asks the question: were the 15th October 2011 anti-capitalist protestors ‘hailed’ into becoming the subjects of Occupy LSX St Paul’s Cathedral? Based on extensive ethnographic interviews and photographic data, this book demonstrates the complex ways in which Occupy LSX St Paul’s Cathedral ‘interpolated’ (Ashcroft 2001) and subverted media spectacle. Kairos exemplifies the longue durée of the art and ethics of Occupy. The bifarious dimensions of kairos emphasise an ethics of care and devotion alongside the indeterminate possibilities of the aleatory encounter. Formulated within Marxist aleatory materialism, this book explores the momentous reality of Occupy LSX St Paul’s Cathedral. Instantiated within an extraordinary conjuncture of conflict between capital and labour, Occupy LSX St Paul’s Cathedral manifested formidable expressions of resistance to the disembodied ‘space of flows’; ‘timeless times’; and the ‘real virtualities’ of transnational capitalist accumulation. Empirical case studies are used to engage with the extraordinary strategies that Occupy LSX St Paul’s Cathedral politically cultivated to address: (i) the future of print news media, The Occupied Times of London; (ii) disjunctures and disruptions within the locality of the ‘space of place’ amidst the harsh reality of neoliberal austerity measures; (iii) the harnessing of multi-modal information communication technologies as part of an imperative to unite the ‘space of place’ with an international environmental citizenship; (iv) critically mobilising market analogues and promotional media integral to the neoliberal market reform of public sector healthcare provision and, in so doing, occupying a radical riposte to the entrepreneurial self and marketized morals of neoliberalism’s homo economicus consumer citizen. In these and many other examples, this book argues that Occupy LSX St Paul’s Cathedral exemplifies the possibilities of kairos as a condition and consequence of the politics, visual media and culture of new social movements.
Author: Anselm Jappe
Publisher: Univ of California Press
Category: Biography & Autobiography
This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition--not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.
A Bibliography for the Study of French Literature and Culture Since 1885
Author: William J. Thompson
Publisher: Associated University Presse
The annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 58 in the series contains nearly 8,800 entries.
the life and death of Guy Debord
Author: Andrew Hussey
Category: Biography & Autobiography
The first biography in English of the modern French revolutionary. Since his death in 1994, Guy Debord has been hailed as one of the key thinkers of his age. Implicated in the events of May 1968, Italian terrorism and murder, he was under surveillance by the French secret police for over a decade. This is the story of the lone, defiant figure who, at one historic moment in 1968, appeared to lead the drift of art and politics in Paris.
revolution in the service of poetry
Author: Vincent Kaufmann
Publisher: Univ Of Minnesota Press
Category: Biography & Autobiography
In this ambitious and innovative biography, Kaufmann deftly locates his subject within the historical and intellectual context of the radical social, political, and artistic movements in which he participated.
Texts and Documents
Author: Tom McDonough
Publisher: MIT Press
Critical texts, translations, documents, and photographs on the work of the Situationist International.
a collection of readings
Author: Salvatore Engel-Di Mauro
Publisher: Praxis ePress
Category: Critical theory
scripts, stills, documents
Author: Guy Debord,Ken Knabb
Publisher: A K Pr Distribution
Guy Debord (1931a?1994) was the most influential member of the Situationist International, the avant-garde group that triggered the May 1968 revolt in France. His book The Society of the Spectacle is considered the most important theoretical work of the 20th century. But while Debord's written work is some of the most notorious in the world of political and cultural radicality, deemed "the cornerstone cliche of postmodernism," his films have until now remained tantalizingly inaccessible. After being withdrawn from circulation for nearly two decades (by Debord himself, to call attention to the 1984 assassination of the producer of the films, Gerard Lebovici), all six films were featured in a special "Guy Debord Retrospective" at the 2001 Venice Film Festival and re-released in France in 2002. The most famous of the films is Debord's cinematic adaptation of his own book, The Society of the Spectacle. As passages from the book are read in voiceover, the text is illuminated, via direct illustration or various types of ironic contrast, by clips from Russian and Hollywood features (Battleship Potemkin, For Whom the Bell Tolls, Johnny Guitar, etc.), TV commercials, softcore porn, newsreels and documentary footage. Some of the other films evoke Debord's adventures in the bohemian underworld of Paris during the 1950s, and in others Debord attacks the film medium itself, directly challenging the viewer by critiquing the traditional separation of spectacle and spectator. Ken Knabb's translation of Debord's Complete Cinematic Works accompanies the long-awaited English versions of these films, which will be coming to the United States in 2003. The scripts are illustrated with 62 stills, and Debord's own annotations help elucidate the subtleties of these astonishing works, which are like nothing else in cinema history. Ken Knabb edited and translated the highly regarded Situationist International Anthology.
Author: Guy Debord
Publisher: Bureau of Public Secrets
Guy Debord was the most influential figure in the Situationist International, the subversive group that helped trigger the May 1968 revolt in France. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical book of the twentieth century. This is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s “détournements.”
Author: Douglas Kellner
Publisher: Psychology Press
Category: Social Science
During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.
Author: Guy Debord
First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle, has since acquired a cult status. Credited by many as being the inspiration for the ideas generated by the events of May 1968 in France, Debord's pitiless attack on commodity fetishism and its incrustation in the practices of everyday life continues to btirn brightly in today's age of satellite television and the soundbite In Comments on the Society of the Spectacle published twenty years later, Debord returned to the themes of his previous analysis and demonstrated how they were all the more relevant in a period when the 'integrated spectacle' was dominant. Resolutely refusing to be reconciled to the system, Debord trenchantly slices through the doxa and mystification offered tip by journalists and pundits to show how aspects of reality as diverse as terrorism and the environment, the Mafia and the media, were caught in the logic of the spectacular society. Pointing the finger clearly at those who benefit from the logic of domination, Debord's Comments convey the revolutionary impulse at the heart of situationism.
Freiheit, Sein und Aprikosencocktails
Author: Sarah Bakewell
Wie macht man Philosophie aus Aprikosencocktails? Für Sartre kein Problem: Er machte Philosophie aus einem Schwindelgefühl, aus Voyeurismus, Scham, Sadismus, Revolution, Musik und Sex. Sarah Bakewell erzählt mit wunderbarer Leichtigkeit, wie der Existenzialismus zum Lebensgefühl einer Generation wurde, die sich nach radikaler Freiheit und authentischer Existenz sehnte. Ihre meisterhafte Kollektivbiographie der Existenzialisten ist zugleich eine höchst verführerische Einladung, die existenzialistische Lebenskunst heute neu zu entdecken. „Sarah Bakewell bringt alle Voraussetzungen mit, um uns die Geschichte des Existenzialismus neu zu erzählen. ... Sie schreibt brillant, mit leichter Feder und einem sehr britischen Humor, und bietet faszinierende Einsichten.“ The Guardian „Sie hat den Dreh raus, wie man zentrale Ideen auf den Punkt bringt.“ Financial Times „Skurril, witzig, klar und leidenschaftlich.“ Daily Mail „Ein Page-Turner.“ The Paris Review
Author: August Dołęga Cieszkowski
On Jorge Semprun
Author: Liran Razinsky
Publisher: Yale University Press
Category: French literature
In 1963, French-Spanish writer Jorge Semprun published Le Grand Voyage (The Long Voyage), a fictional account of his deportation to Buchenwald. Later, Semprun became an Academy Award-nominated screenwriter and served as Spain's minister of culture. This volume of the Yale French Studies series constitutes an overall assessment of his work, spanning his broad range of genres and traditions. Including both new perspectives and pieces by authors who have written widely on Semprun, this volume is a refreshing and dynamic look at one of the twentieth-century's most interesting literary voices.
A Critical Introduction
Author: Andrew Merrifield
Philosopher, sociologist and urban theorist, Henri Lefebvre is one of the great social theorists of the twentieth century. This accessible and innovative introduction to the work of Lefebvre combines biography and theory in a critical assessment of the dynamics of Lefebvre's character, thought, and times. Exploring key Lefebvrian concepts, Andy Merrifield demonstrates the evolution of Lefebvre's philosophy, while stressing the way his long and adventurous life of ideas and political engagement live on as an enduring and inspiring interrelated whole.
Author: Peter Bürger
Publisher: Wallstein Verlag
Category: Literary Collections
Die Neuausgabe eines der wichtigsten Bücher linker Theorie der 1970er Jahre erweitert um neue Texte. Duchamp, Warhol, Picasso, Heartfield – was vereint diese und andere Künstler, deren Werke bei Ihrem Erscheinen in der Kunstwelt zunächst als bloße Provokationen wahrgenommen wurden? Peter Bürger sucht in seiner »Theorie der Avantgarde« nach Antworten auf diese und viele daran anschließende Fragen. Im Kern geht es dabei immer um die Bedeutung des Kunstwerks und der Kunst im Allgemeinen für die moderne Gesellschaft. Die »Theorie der Avantgarde« erschien 1974 und entfaltete sogleich eine beträchtliche Resonanz. 1976 kam der Antworten-Band von Martin Lüdke heraus, der Kritik sammelte. Auch in den USA stieß die 1984 erschienene Übersetzung lebhafte Diskussionen an. Die Neuausgabe der »Theorie der Avantgarde« vereint den unveränderten Text der Erstausgabe von 1974, das Nachwort der 2. Auflage sowie zwei neue Texte von Peter Bürger: einen Dialog mit Thomas Hettche über Entstehung und Wirkung des Buches sowie eine Reflexion über »das zwiespältige Erbe der Avantgarde«.