Author: Henri Matisse,Ellen McBreen,Suzanne Preston Blier
Publisher: MFA Publications
Published to accompany the Royal Academy exhibition 'Matisse in the Studio', this book is the first in English to explore the essential role that Henri Matisse's personal collection of objects played in his studio practice. Featured frequently in the modern master's bold paintings, drawings, and cut-outs, and influencing the development of his work in sculpture, Matisse's objects formed a secret history hiding in plain sight. Works that span the artist's entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. With lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the world of the artist at work.
Author: Shirley Neilsen Blum
Contemporary Feminist Debates
Author: Michèle Barrett,Anne Phillips
Publisher: Stanford University Press
Category: Social Science
In the past decade the central principles of western feminist theory have been dramatically challenged. many feminists have endorsed post-structuralism's rejection of essentialist theoretical categories, and have added a powerful gender dimension to contemporary critiques of modernity. Earlier 'women' have been radically undermined, and newer concerns with 'difference', 'identity', and 'power' have emerged. Destabilizing Theory explores these developments in a set of specially commissioned essays by feminist theorists. Does this change amount to a real shift within feminist theory, or will feminism's links with an emancipatory modernism reinstate an older political agenda? Can we transcend the common counterposition of equality and difference, or is feminism condemned to argue within the terms of this binary opposition?
Ambroise Vollard, Patron of the Avant-garde
Author: Rebecca A. Rabinow,Douglas W. Druick,Maryline Assante di Panzillo,Metropolitan Museum of Art (New York, N.Y.),Art Institute of Chicago,Musée d'Orsay
Publisher: Metropolitan Museum of Art
Category: Art dealers
A Critical Introduction
Author: Jonathan Harris
The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality
Author: Karl Buchberg,Nicholas Cullinan,Jodi Hauptman,Nicholas Serota
Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium's unfolding, and period photographs that show the works in process in Matisse's studio. One of modern art's towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as "construction by means of color."
In Search of True Painting
Author: Rebecca A. Rabinow,Dorthe Aagesen
Publisher: Metropolitan Museum of Art
"Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1906) and Le Lexe I and II (1907-8) through a series of late studio scenes from Vence (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective. New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism."--Page 4 of cover.
Man of the North: 1869-1908
Author: Hilary Spurling
Publisher: Penguin UK
Category: Biography & Autobiography
"Hilary Spurling's THE UNKNOWN MATISSE is a truly wonderful biography. Her prose is muscular, rhythmical, carrying a lot of information, yet swift, enthralling. She has done for Matisse what George Painter famously did for Proust in the 1950s. Besides being a first-rate scholar, she is an artist in narrative who has unearthed a fascinating story and told it brilliantly. I rate this first volume with the first volume of Richard Holmes's COLERIDGE . Both books mark a climax in what has been called a golden age of modern biography which began with Richard Ellman's JAMES JOYCE. It is a terrific achievement." Michael Holroyd
Author: Barbara Burn
Publisher: Metropolitan Museum of Art
"The Metropolitan Museum of Art in New York City is a living encyclopedia of world art. Cultures from every part of the world - from Florence to Thebes, from Pennsylvania to Papua, New Guinea - from the ancient world to the present, and in every medium, are represented, frequently at the highest levels of quality. This book presents over 250 of the finest masterpieces in the Metropolitan's collection, drawn from more than three million works in eighteen different curatorial departments. Some of these splendid objects, such as the Temple of Dendur, Botticelli's Annunciation, Rembrandt's Aristotle with a Bust of Homer, and Leutze's Washington Crossing the Delaware, are very famous; others, including a rare Chinese scroll, a drawing by Michelangelo, and an ornate Turkish sword, are less well known. All are remarkable and unique. The works have been arranged in a generally chronological order by culture, beginning with ancient Egypt and ending with the twentieth century in Europe and America. Each reproduction is accompanied by a text that includes pertinent information about the work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Henri Matisse,Jack D. Flam
Publisher: Univ of California Press
Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview.
Author: Daniel Wildenstein
Essays on Art, Life and Death
Author: Griselda Pollock,Penny Florence
Publisher: Taylor & Francis
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
Author: Yve-Alain Bois
Publisher: MIT Press
Essays that seek to redefine the status of theory in modernist critical discourse
Author: Teel Sale,Claudia Betti
Publisher: Cengage Learning
DRAWING: A CONTEMPORARY APPROACH takes you beyond conventional approaches, emphasizing the emotional, intellectual, spiritual, and social significance of art. The authors trace the evolution of today's art from that of the past, showing drawing's meaning and continuity. DRAWING: A CONTEMPORARY APPROACH offers a combination of effective pedagogy, good exercises, and high-quality, contemporary drawings as models, focusing on contemporary artists who draw in a multicultural world. This Advantage Edition offers the same content in an economically priced, unbound, three-hole punch, loose-leaf format. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Author: Juliette Rizzi
Publisher: Tate Enterprises Ltd
Henri Matisse is a leading figure of modern art and one of the most significant colourists of all time. In a career spanning over half a century, Matisse made a large body of work encompassing drawing, painting, sculpture and ceramics. After 1948 he was prevented from painting by ill health but, although confined to bed, he produced a number of works known as the ‘cut-outs’. These were made by cutting or tearing shapes from painted paper. Extensively illustrated and covering the full span of Matisse’s long career, this is the perfect introduction to the life and work of this modern master. Juliette Rizzi is Assistant Curator at Tate Modern.
The Amazing (but True!) Story of Albert D. Lasker and the Creation of the Advertising Century
Author: Jeffrey L. Cruikshank,Arthur W. Schultz
Publisher: Harvard Business Press
Category: Business & Economics
We live in an age of persuasion. Leaders and institutions of every kind--public and private, large and small--must compete in the marketplace of images and messages. This has been true since the advent of mass media, from broad circulation magazines and radio through the age of television and the internet. Yet there have been very few true geniuses at the art of mass persuasion in the last century. In public relations, Edward Bernays comes to mind. In advertising, most Hall-of-Famers--J. Walter Thomson, David Ogilvy, Bill Bernbach, Bruce Barton, Ray Rubicam, and others--point to one individual as the "father" of modern advertising: Albert D. Lasker. And yet Lasker--unlike Bernays, Thomson, Ogilvy, and the others--remains an enigma. Now, Jeffrey Cruikshank and Arthur Schultz, having uncovered a treasure trove of Lasker's papers, have written a fascinating and revealing biography of one of the 20th century's most powerful, intriguing, and instructive figures. It is no exaggeration to say that Lasker created modern advertising. He was the first influential proponent of "reason why" advertising, a consumer-centered approach that skillfully melded form and content and a precursor to the "unique selling proposition" approach that today dominates the industry. More than that, he was a prominent political figure, champion of civil rights, man of extreme wealth and hobnobber with kings and maharajahs, as well as with the likes of Albert Einstein and Eleanor Roosevelt. He was also a deeply troubled man, who suffered mental collapses throughout his adult life, though was able fight through and continue his amazing creative and productive activities into later life. This is the story of a man who shaped an industry, and in many ways, shaped a century.