Printing and Painting the News in Victorian London

"The Graphic and Social Realism, 1869-1891 "

Author: Andrea Korda

Publisher: Routledge

ISBN: 1351553232

Category: Art

Page: 218

View: 4218

Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.

The Printed and the Built

Architecture, Print Culture and Public Debate in the Nineteenth Century

Author: Mari Hvattum,Anne Hultzsch

Publisher: Bloomsbury Publishing

ISBN: 1350038377

Category: Architecture

Page: 336

View: 9064

The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.

Art in Reproduction

Nineteenth-century Prints After Lawrence Alma-tadema, Jozef Israels and Ary Scheffer

Author: Robert Verhoogt

Publisher: Amsterdam University Press

ISBN: 9053569138

Category: Art

Page: 718

View: 914

This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.

Victorian Artists and the City

A Collection of Critical Essays

Author: Ira Bruce Nadel

Publisher: Pergamon

ISBN: N.A

Category: Art

Page: 170

View: 2414

The Victorians

Author: A.N. Wilson

Publisher: Random House

ISBN: 1446493202

Category: History

Page: 752

View: 5675

People, not abstract ideas, make history, and nowhere is this more revealed than in A. N. Wilson's superb portrait of the Victorians, in which hundreds of different lives have been pieced together to tell a story - one which is still unfinished in our own day. The 'global village' is a Victorian village and many of the ideas we take for granted, for good or ill, originated with these extraordinary, self-confident people. What really animated their spirit, and how did they remake the world in their view? In an entertaining and often dramatic narrative, A. N. Wilson shows us remarkable people in the very act of creating the Victorian age.

Picturing Animals in Britain, 1750-1850

Author: Diana Donald

Publisher: Yale University Press

ISBN: 9780300126792

Category: Art

Page: 377

View: 9410

From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them - then and now - remain unanswered.

The Standard Theatre of Victorian England

Author: Allan Stuart Jackson

Publisher: Fairleigh Dickinson Univ Press

ISBN: 9780838633922

Category: Performing Arts

Page: 360

View: 8164

This is the first major study of the Douglass family of England and the institution of the National Standard Theatre. It includes an examination of the theatrical aesthetics of the mid-Victorian theatre and the methods used by the Douglasses to achieve their success, as well as biographical material on a number of the actors and actresses and on the Douglass family itself. The National Standard Theatre was located in Shoreditch, in east London, and stood very near to the site of Shakespeare's original Theatre. First built in 1835 and then rebuilt three times, it remained at that location until 1939. Between 1851 and the theatre's end, it was one of the largest theatres in the world, holding more than five thousand patrons. Under the management of the Douglass family from 1848 to 1889, records of several kinds were set, such as attendance and box office success, and achievement in quality and staging was reached. The Douglasses were considered among the top theatre managers of the mid-Victorian period, providing thousands of patrons a week with the best dramas, actors, and productions of the period. Favorites of the East End audiences were James Anderson, Mrs. Robert Honner, Samuel Phelps, and Miss Glyn. Dion Boucicault and Charles and Ellen Kean also appeared, as well as George Washington "Pony" Moore and his Christy Minstrels. Sims Reeves with his operas in English were summer fixtures at the Standard. Christmas pantomimes were critical to the financial health of the Victorian theatres, and the Standard's were usually considered to be magnificent, especially the Douglass pantomimes, which were always rated among the top two or three in the city. Richard Douglass, the family scene designer, was one of the principal scenic artists of England between 1870 and 1910. His studio provided settings for many theatres throughout the country as well as all of the settings required in the family business. The last chapters of this work detail the surprising naturalistic staging techniques that were developed after 1879. These included railway trains on tracks, ocean liners, real water scenes on rivers and ocean shores, fox hunts with a real "trained" fox, hounds and riders on horseback taking the hedges, plus horse races and a multitude of other effects of the type that later became part of the cinema. This book is illustrated with pictures of the people, settings, and architecture associated with the National Standard Theatre. In addition, there are some of the original watercolor scene designs painted by Richard Douglass himself, including a moving panorama showing change of place, weather, and time; two back cloths or act drop designs; and a number of scenic views of the British countryside as designs for dioramas or stage settings.

Victorian Literature

An Anthology

Author: Victor Shea,William Whitla

Publisher: John Wiley & Sons

ISBN: 1118329023

Category: Literary Criticism

Page: 1008

View: 4002

Victorian Literature is a comprehensive and fully annotated anthology with a flexible design that allows teachers and students to pursue traditional or innovative lines of inquiry – from the canon to its extensions and its contexts. Represents the period’s major writers of prose, poetry, drama, and more, including Tennyson, Arnold, the Brownings, Carlyle, Ruskin, the Rossettis, Wilde, Eliot, and the Brontës Promotes an ideologically and culturally varied view of Victorian society with the inclusion of women, working-class, colonial, and gay and lesbian writers Incorporates recent scholarship with 5 contextual sections and innovative sub-sections on topics like environmentalism and animal rights; mass literacy and mass media; sex and sexuality; melodrama and comedy; the Irish question; ruling India and the Indian Mutiny and innovations in print culture Emphasizes the interdisciplinary nature of the field with a focus on social, cultural, artistic, and historical factors Includes a fully annotated companion website for teachers and students offering expanded context sections, additional readings from key writers, appendices, and an extensive bibliography

Edward Burne-Jones, Victorian Artist-dreamer

Author: Stephen Wildman,Edward Coley Burne-Jones,John Christian,Alan Crawford,Laurence Des Cars,Metropolitan Museum of Art (New York, N.Y.),Birmingham Museums and Art Gallery,Musée d'Orsay

Publisher: Metropolitan Museum of Art

ISBN: 0870998587

Category: Art

Page: 361

View: 1241

This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR

Pictorial Victorians

The Inscription of Values in Word and Image

Author: Julia Thomas

Publisher: Ohio University Press

ISBN: 0821415913

Category: Art

Page: 203

View: 961

"Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres - illustration and narrative painting - that blurred the line between the visual and the textual. Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories." "Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe's novel Uncle Tom's Cabin and Tennyson's poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Victorians

Author: Jeremy Paxman

Publisher: Random House

ISBN: 1409070107

Category: History

Page: 304

View: 6156

Jeremy Paxman's unique portrait of the Victorian age takes readers on an exciting journey through the birth of modern Britain. Using the paintings of the era as a starting point, he tells us stories of urban life, family, faith, industry and empire that helped define the Victorian spirit and imagination. To Paxman, these paintings were the television of their day, and his exploration of Victorian art and society shows how these artists were chronicling a world changing before their eyes. This enthralling history is Paxman at his best - opinionated, informed, witty, surprising - and a glorious reminder of how the Victorians made us who we are today.

Inventing the Public Enemy

The Gangster in American Culture, 1918-1934

Author: David E. Ruth

Publisher: University of Chicago Press

ISBN: 9780226732183

Category: History

Page: 190

View: 7062

In this richly detailed account of mass media images, David Ruth looks at Al Capone and other "invented" gangsters of the 1920s and 1930s. The subject of innumerable newspaper and magazine articles, scores of novels, and hundreds of Hollywood movies, the gangster was a compelling figure for Americans preoccupied with crime and the social turmoil it symbolized. Ruth shows that the media gangster was less a reflection of reality than a projection created from Americans' values, concerns, and ideas about what would sell. We see efficient criminal executives demonstrating the multifarious uses of organization; dapper, big-spending gangsters highlighting the promises and perils of the emerging consumer society; and gunmen and molls guiding an uncertain public through the shifting terrain of modern gender roles. In this fascinating study, Ruth reveals how the public enemy provides a far-ranging critique of modern culture.

Art News

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Art

Page: N.A

View: 3142

The First Lady of Fleet Street

The Life of Rachel Beer: Crusading Heiress and Newspaper Pioneer

Author: Eilat Negev,Yehuda Koren

Publisher: Bantam

ISBN: 0345532384

Category: Biography & Autobiography

Page: 368

View: 4295

A panoramic portrait of a remarkable woman and the tumultuous Victorian era on which she made her mark, The First Lady of Fleet Street chronicles the meteoric rise and tragic fall of Rachel Beer—indomitable heiress, social crusader, and newspaper pioneer. Rich with period detail and drawing on a wealth of original material, this sweeping work of never-before-told history recounts the ascent of two of London’s most prominent Jewish immigrant families—the Sassoons and the Beers. Born into one, Rachel married into the other, wedding newspaper proprietor Frederick Beer, the sole heir to his father’s enormous fortune. Though she and Frederick became leading London socialites, Rachel was ambitious and unwilling to settle for a comfortable, idle life. She used her husband’s platform to assume the editorship of not one but two venerable Sunday newspapers—the Sunday Times and The Observer—a stunning accomplishment at a time when women were denied the vote and allowed little access to education. Ninety years would pass before another woman would take the helm of a major newspaper on either side of the Atlantic. It was an exhilarating period in London’s history—fortunes were being amassed (and squandered), masterpieces were being created, and new technologies were revolutionizing daily life. But with scant access to politicians and press circles, most female journalists were restricted to issuing fashion reports and dispatches from the social whirl. Rachel refused to limit herself or her beliefs. In the pages of her newspapers, she opined on Whitehall politics and British imperial adventures abroad, campaigned for women’s causes, and doggedly pursued the evidence that would exonerate an unjustly accused French military officer in the so-called Dreyfus Affair. But even as she successfully blazed a trail in her professional life, Rachel’s personal travails were the stuff of tragedy. Her marriage to Frederick drove an insurmountable wedge between herself and her conservative family. Ultimately, she was forced to retreat from public life entirely, living out the rest of her days in stately isolation. While the men of her era may have grabbed more headlines, Rachel Beer remains a pivotal figure in the annals of journalism—and the long march toward equality between the sexes. With The First Lady of Fleet Street, she finally gets the front page treatment she deserves.

English Art, 1860-1914

Modern Artists and Identity

Author: David Peters Corbett,Lara Perry

Publisher: Manchester University Press

ISBN: 9780719055201

Category: Art, English

Page: 274

View: 793

How modern is the art made in England between 1860 and 1914? England in the period was a highly modernized society, but the art it produced is not modernist in the sense that the word has been used to describe advanced French art of the 19th and 20th centuries. This book breaks the association of modern art in England with French models and to describe anew the relationship between English art, England's artists and their modern culture.

Alfred Gilbert's Aestheticism

Gilbert Amongst Whistler, Wilde, Leighton, Pater and Burne-Jones

Author: Jason Edwards,Alfred Gilbert

Publisher: Ashgate Publishing, Ltd.

ISBN: 9780754608615

Category: Art

Page: 275

View: 3258

With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies."--BOOK JACKET.

1895: Drama, Disaster and Disgrace in Late Victorian Britain

Drama, Disaster and Disgrace in Late Victorian Britain

Author: Nicholas Freeman

Publisher: Edinburgh University Press

ISBN: 0748650849

Category: History

Page: 248

View: 2588

Oscar Wilde's libel suit against the Marquess of Queensberry and its disastrous repercussions dominated British newspapers during the spring of 1895, but as this innovative study reveals, the Wilde scandal was by no means the only event to capture the public's imagination. Freak weather, a flu epidemic, a General Election, industrial unrest, 'sex novels' and New Women, trials of murderers and fraudsters, accidents, anarchists, bombers, balloonists and bicyclists were all topics of interest and alarm. Drawing on strikingly diverse primary sources, Nicholas Freeman examines the recurrent preoccupations of a turbulent year, showing how 1890s' Britain is at once far removed from our own day and yet strangely familiar.

Women in Journalism at the Fin de Siècle

Making a Name for Herself

Author: F. Gray

Publisher: Springer

ISBN: 1137001305

Category: Literary Criticism

Page: 271

View: 501

As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.