Romantics, rebels, and reactionaries

English literature and its background, 1760-1830

Author: Marilyn Butler

Publisher: Oxford University Press, USA

ISBN: N.A

Category: Literary Criticism

Page: 213

View: 5675

This study of the Romantics--Blake, Wordsworth, Coleridge, Austen, Scott, Bryon, Shelley, and Keats--places these richly varied writers into their proper historical setting. Butler relates the French and American Revolution, the Napoleonic Wars, the expansion of agriculture, trade, andindustry, and growing economic and social pressures to the cultural forces which shaped their work. She reveals the common factors which engaged the separate efforts of so many individual creative minds, and the fierce personal and artistic politics of an age in the midst of profound change.Demonstrating that the literature produced during this dynamic, restless time is not as homogenous as is generally assumed, Butler illuminates the ways in which these various experimental works reflected radically new sensibilities and aspirations.

The Cambridge Companion to English Literature, 1740-1830

Author: Elmore Fellow and Tutor in English Language and Literature at St Anne's College Oxford and Lecturer in English Language and Literature Thomas Keymer,Thomas Keymer,Jon Mee,Margaret Canfield Fellow in English Jon Mee

Publisher: Cambridge University Press

ISBN: 9780521007573

Category: Literary Criticism

Page: 308

View: 5974

This volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism.

Intermediales Text-Theater

Die Bühne des Politischen und des Wissens vom Menschen bei Wordsworth und Scott

Author: Kai Merten

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 3110393999

Category: Literary Criticism

Page: 458

View: 6246

This book discovers the latent working of the theatre in British Romantic literature. It shows how two central writers, Wordsworth and Scott, were fascinated by theatre conceptions that could not be implemented on the British stage, and how they both practised this theatre in their own texts. Among the first studies to discuss the relationship of theatre and text in some depth, this book develops a new integrative model of intermediality.

Global Romanticism

Origins, Orientations, and Engagements, 1760–1820

Author: Evan Gottlieb

Publisher: Bucknell University Press

ISBN: 1611486262

Category: Literary Criticism

Page: 342

View: 5214

Building on postcolonial and transatlantic paradigms as well as new theoretical developments like Actor-Network-Theory, Global Romanticism: Origins, Orientations, and Engagements, 1760–1820 views the literature and culture of late-eighteenth- and early-nineteenth-century Britain and beyond through the lens of long-durational globalization.

Ricoeur, Literature and Imagination

Author: Sophie Vlacos

Publisher: Bloomsbury Publishing USA

ISBN: 1441142940

Category: Literary Criticism

Page: 248

View: 4956

"To explain more is to understand better". This is the mantra by which French philosopher Paul Ricoeur lived and worked, establishing himself as one of the twentieth century's most lucid and broad-ranging critical thinkers. A prisoner of war at 27, Ricoeur was also Dean of Paris X Nanterre during the student disturbances of 1968. In later years he became an outspoken champion of social justice. In work as in life, Ricoeur was committed to the challenges of conflict and the prospect of authentic resolution. Deeply indebted to phenomenology and the hermeneutical tradition of Heidegger and Gadamer, Ricoeur was also an advocate of structural linguistics, of psychoanalysis, and a rare conversant with the Anglo-American analytic tradition. This volume explores how literature and the conflicts of literary-theoretical debate inform Ricoeur's theory of imagination and understanding, and how Ricoeur's unique mode of literary reflection resolves the conflicts of literature's theoretical heyday, presaging a new direction for literary studies.

Polite Anarchy in International Relations Theory

Author: Z. Kazmi

Publisher: Springer

ISBN: 1137028130

Category: Political Science

Page: 288

View: 7789

An innovative re-evaluation of the concept of anarchy in theorizing diplomacy between states which draws on a historically sensitive re-evaluation of the ideological uses of politeness in the anarchist thought of William Godwin.

Writing Against Revolution

Literary Conservatism in Britain, 1790–1832

Author: Kevin Gilmartin

Publisher: Cambridge University Press

ISBN: 1139460528

Category: Literary Criticism

Page: N.A

View: 8254

Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.

Repossessing the Romantic Past

Author: Heather Glen,Paul Hamilton

Publisher: Cambridge University Press

ISBN: 1139460315

Category: Literary Criticism

Page: N.A

View: 350

Work on British Romanticism is often characterised as much by its conscious difference from preceding positions as it is by its approach to or choice of material. As a result, writing neglected or marginalised in one account will be restored to prominence in another, as we reconstruct the past as a history of the present. This collection of essays takes as its starting point the wide-ranging work of Marilyn Butler on Romantic literature, and includes contributions by some of the most prominent scholars of Romanticism working today. The essays offer interesting perspectives on Maria Edgeworth, Coleridge, Austen, Scott and others, showing that the openness of modern critical perceptions matches and reflects the diversity of the literature and culture of the Romantic period itself.

The Ethics of Romanticism

Author: Laurence S. Lockridge

Publisher: Cambridge University Press

ISBN: 9780521352567

Category: History

Page: 512

View: 1981

Laurence Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer's work as a whole, and that it can even prove congenial. He gives original, interrelated readings of eight major British Romantic writers.

The Old Enemies

Catholic and Protestant in Nineteenth-Century English Culture

Author: Michael Wheeler

Publisher: Cambridge University Press

ISBN: 0521828104

Category: Literary Criticism

Page: 352

View: 8986

Divisions between Catholics and Protestants have been a feature of English history since the Reformation. Even into the industrial nineteenth century, age-old theological disagreements were the cause of religious and cultural conflicts. Originally published in 2006, The Old Enemies asks why these ancient divisions were so deep, why they continued into the nineteenth century and how novelists and poets, theologians and preachers, historians and essayists reinterpreted the religious debates. Michael Wheeler, a leading authority on the literature and theology of the period, explains how each side misunderstood the other's deeply held beliefs about history, authority, doctrine and spirituality, and, conversely, how these theological conflicts were a source of inspiration and creativity in the arts. This wide-ranging, well-illustrated study sheds light on nineteenth-century history, literature and religion.

Scott the Rhymer

Author: Nancy Moore Goslee

Publisher: University Press of Kentucky

ISBN: 081316320X

Category: Literary Criticism

Page: 264

View: 599

Renewed arguments over the definition of Romanticism warrant a new look at the narrative poetry of Sir Walter Scott. Nancy Moore Goslee's study, the first full treatment of Scott's poems in many years, will do for his poetry what Judith Wilt's book has done for his novels. Already a subtle reader of the high Romantics and their celebrations of the visionary imagination, Goslee draws upon several recent critical developments for this study of Scott: a growing tendency among critics of his novels to see romance as a positive strength, the broader development of narrative theory, and feminist theory. Like Thomas the Rhymer, the half-historical, half- mythic minstrel who rides off with the elfin queen, Scott's poems repeatedly accept the world of romance and yet challenge it, often wittily, with an array of hermeneutic perspectives upon its function. The perspectives Goslee considers most fully are the development of poetry from a communal, oral performance to a written, published document; the larger, more violent development of Scottish and British history from feudal to modern cultures; and the repeated contrast, in that succession of cultures, between the limited, passive role of most actual women and their active, powerful role as elfin queen or enchantress in the romance. As if drawn toward yet simultaneously repelled by such women, Scott alternates between poems in which enchantresses seem to control their worlds and those in which women are only pawns, desirable for the land they inherit. The poems of the latter group are more realistically historical in plot, turning upon major battles; those of the former are more romantic and magical. Yet both follow similar narrative patterns derived from medieval and especially Renaissance romance. Both, too, show a wandering in more primitive, violent societies which delays the rational, gradual progress seen as cultural salvation by Enlightenment historians.

The Oxford Handbook of Samuel Taylor Coleridge

Author: Frederick Burwick

Publisher: OUP Oxford

ISBN: 0191651095

Category: Literary Criticism

Page: 784

View: 7416

A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.

Again to the Life of Eternity

William Blake's Illustrations to the Poems of Thomas Gray

Author: Frank A. Vaughan

Publisher: Associated University Presse

ISBN: 9780945636748

Category: Literary Criticism

Page: 139

View: 2382

"This work postulates that the set of 116 designs by William Blake, illustrated herein, is not a series of individual responses to the pieces of text they accompany, nor is it a series of responses to the individual poems of Thomas Gray. The designs are also more than illustrations, or corrections, of Gray's speakers or of Gray himself. In the Gray designs, Blake was using the opportunity given him by John and Ann Flaxman in 1797 to explore and explain visually the reformist malaise in the reactionary nineties when the general economic well-being and optimism had been replaced by the effects of war and fear. For Blake, the collapse into the later 1790s is the failure of the imaginative will to sustain the impetus that the American and French Revolutions had begun." "Blake saw several causes for this failure of will and created a set of designs rich in allusions and dense with visual conventions. These visual topoi are personal, topical, classical, biblical, and literary." "Thus, there is a need for a study of the Gray designs that sees them as they are: a unity rich with visual conventions partaking of Blake's revolutionary pattern of development and desire to reshape in specific ways the mind of his audience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Lord Byron and Scandalous Celebrity

Author: Clara Tuite

Publisher: Cambridge University Press

ISBN: 1107082595

Category: History

Page: 346

View: 346

Examines the relationship between Lord Byron's life and work and the Regency culture of scandal.

Lyrical Ballads

Author: Samuel Taylor Coleridge,William Wordsworth

Publisher: Broadview Press

ISBN: 146040128X

Category: Poetry

Page: 552

View: 8653

Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.

Epic

Britain's Heroic Muse 1790-1910

Author: Herbert F. Tucker

Publisher: OUP Oxford

ISBN: 0191528404

Category: Literary Criticism

Page: 752

View: 5865

This book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practised without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet, and shoals of ambitious poetasters into the bargain. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call by figuring Britain's self-renewal and the genre's as versions of one another. In passing Herbert Tucker notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of daring experimentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.

Northanger Abbey - Second Edition

Author: Jane Austen

Publisher: Broadview Press

ISBN: 1460401476

Category: Fiction

Page: 280

View: 5547

First accepted by a publisher in 1803, Northanger Abbey was eventually published posthumously in 1818. In it Austen weaves a romance full of suspense and comedy around the heroine Catherine Morland's first foray into society. The style of the novel is a unique hybrid; along the way Austen parodies the eighteenth-century novel of manners, the Gothic novel, and even the educational treatises of the time. The second Broadview edition includes a revised introduction, notes, bibliography, and expanded appendices of background contextual materials.

Mapping Mythologies

Author: Marilyn Butler

Publisher: Cambridge University Press

ISBN: 1107116384

Category: History

Page: 237

View: 8657

The last major work by Marilyn Butler, leading literary critic of the late twentieth century, on imaginative ideas of nationhood.

Poetic Castles in Spain

British Romanticism and Figurations of Iberia

Author: Diego Saglia

Publisher: Rodopi

ISBN: 9789042004283

Category: Literary Criticism

Page: 355

View: 594

British culture of the Romantic period is distinguished by a protracted and varied interest in things Spanish. The climax in the publication of fictional, and especially poetical, narratives on Spain corresponds with the intense phase of Anglo-Iberian exchanges delimited by the Peninsular War (1808-14), on the one hand, and the Spanish experiment of a constitutional monarchy that lasted from 1820 until 1823, on the other. Although current scholarship has uncovered and reconstructed several foreign maps of British Romanticism - from the Orient to the South Seas - exotic European geographies have not received much attention. Spain, in particular, is one of the most neglected of these 'imaginary' Romantic geographies, even if between the 1800s and the 1820s, and beyond, it was a site of wars and invasions, the object of foreign economic interests relating to its American colonies, and a geopolitical area crucial to the European balance designed by the post-Waterloo Vienna settlement. This study considers the various ways in which Spain figured in Romantic narrative verse, recovering the discursive materials employed in fictional representation, and assessing the relevance of this activity in the context of the dominant themes and preoccupations in contemporary British culture. The texts examined here include medievalizing and chivalric fictions, Orientalist adventures set in Islamic Granada, and modern-day tales of the anti-Napoleonic campaign in the Peninsula. Recovering some of the outstanding works and issues elaborated by British Romanticism through the cultural geography of Spain, this study shows that the Iberian country was an inexhaustible source of imaginative materials for British culture at a time when its imperial boundaries were expanding and its geopolitical influence was increasing in Europe and overseas.