Ten Essays in Platonic Interpretation
Author: R. B. Rutherford
Publisher: Harvard University Press
Category: Literary Criticism
The enduring fascination of Plato's dialogues rests not only on the dazzling range of his arguments and opinions, but also on the extraordinary richness of his literary style. The great Greek philosopher captures the imagination and stimulates the curiosity of his readers through his expert use of the techniques devised by the rhetoricians and the poets of his time: Plato, the critic of art and poetry, shows himself a consummate artist. This book is not a study of Plato's philosophy, but a contribution to the literary interpretation of the dialogues, through analysis of their formal structure, characterization, language, and imagery. Among the dialogues considered in these interrelated essays are some of Plato's most admired and influential works, including Gorgias, the Symposium, the Republic and Phaedrus. Special attention is paid to the personality of Socrates, Plato's remarkable mentor, and to his interaction with the other characters in the dialogues. The author also discusses particular problems such as the sources for our knowledge of Socrates, the origins of the dialogue form, Plato's use of myth, and the "totalitarianism" of the Republic.This combination of sympathetic literary criticism and exact historical scholarship makes The Art of Plato a valuable contribution to the study of one of the greatest of all Greek writers.
Author: Christopher Rowe
Publisher: Cambridge University Press
Plato's dialogues are usually understood as simple examples of philosophy in action. In this book Professor Rowe treats them rather as literary-philosophical artefacts, shaped by Plato's desire to persuade his readers to exchange their view of life and the universe for a different view which, from their present perspective, they will barely begin to comprehend. What emerges is a radically new Plato: a Socratic throughout, who even in the late dialogues is still essentially the Plato (and the Socrates) of the Apology and the so-called 'Socratic' dialogues. This book aims to understand Plato both as a philosopher and as a writer, on the assumption that neither of these aspects of the dialogues can be understood without the other. The argument of the book is closely based in Plato's text, but should be accessible to any serious reader of Plato, whether professional philosopher, classicist, or student.
The Art of Argument in the Gorgias and Phaedrus
Author: Tushar Irani
Publisher: Cambridge University Press
Plato was the first philosopher in the western tradition to reflect systematically (and often critically) on rhetoric. In this book, Tushar Irani presents a comprehensive and innovative reading of the Gorgias and the Phaedrus, the only two Platonic dialogues to focus on what an 'art of argument' should look like, treating each of the texts individually, yet ultimately demonstrating how each can best be understood in light of the other. For Plato, the way in which we approach argument typically reveals something about our deeper desires and motivations, particularly with respect to other people, and so the key to understanding his views on the proper practice of argument lies in his understanding of human psychology. According to this reading, rhetoric done well is simply the practice of philosophy, the pursuit of which has far-reaching implications for how we should relate to others and how we ought to live.
Socratic Reflections from Plato to Foucault
Author: Alexander Nehamas
Publisher: Univ of California Press
In this wide-ranging, brilliantly written account, Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.
The Rhetoric of Philosophy
Author: Ann N. Michelini
This collection, focusing on literary aspects of the Platonic dialogues, includes diverse essays by scholars from several different fields. Topics include friendship and desire in the Lysis, Socratic irony in Cratylus, and mystery imagery in Phaedrus.
Plato's Art of Caring for Souls
Author: Zdravko Planinc
Publisher: University of Missouri Press
The leading scholars represented in Politics, Philosophy, Writing examine six key Platonic dialogues and the most important of the epistles, moving from Plato's most public or political writings to his most philosophical. The collection is intended to demonstrate the unity of Plato's concerns, the literary quality of his writing, and the integral relation of form and content in his work. Taken together, these essays show the consistency of Plato's understanding of the political art, the art of writing, and the philosophical life.
Publisher: Oxford University Press
Category: Literary Criticism
The Art of Poetry
A New Translation of Plato's Most Controversial Dialogue
Author: Paul Chan,Karen Marta,Richard Fletcher
One of Plato's most controversial dialogues, "Hippias Minor" details Socrates' claims that there is no difference between a person who tells the truth and one who lies, and that the good man is the one who willingly makes mistakes and does wrong. But what if Socrates wasn't merely championing the act of lying--as the dialogue has been traditionally interpreted--but, rather, advocating the power of the creative act? In this new translation by Sarah Ruden, "Hippias Minor" is rendered anew as a provocative dialogue about how art is a form of wrongdoing. The accompanying introduction by artist Paul Chan and essay by classicist Richard Fletcher argue that an understanding of the dialogue makes life more ethical by paradoxically teaching one to be more cunning.
Author: Grace Elvina Hadle Billings
Publisher: BiblioBazaar, LLC
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Author: Grace Elvina Hadley Billings
A Dissertation (Classic Reprint)
Author: Grace Hadley Billings
Publisher: Forgotten Books
Excerpt from The Art of Transition in Plato: A Dissertation The method followed in the present paper is one of compromise. Without attempting an exhaustive study of the process of Platonic dialectic, of Plato's methods of sentence connection, or his use of particles, it is the purpose of this discussion to present from the Platonic dialogues adequate material for the illustration of all these methods of approach to the study of transitions. The stylistic basis of arrangement has not been adopted, but changes in transitional method due to differences in style have been noted. The first chapter contains analyses of a number of representative dialogues. In these analyses only so much of the philosophic content of the argument is given as is necessary to make intelligible the outline of the logical and artistic framework of the dialogue. The chief emphasis is placed on the indication and description of the main points of transition in the argument. The two succeeding chapters are devoted to a more minute study of Plato's methods of transition. The second chapter deals with his usage of conventional transitional formulas and includes a brief, incomplete account of Platonic transitional particles. Under the heading 'plato's literary art of transition' more unusual and artistic means of connection have been discussed. Little or no attempt at formal classification has been made. Similar transitional devices are grouped together for purposes of description. The fre quent union of several transitional elements in one passage and the difficulty of fixing hard and fast boundaries between different types of transition make any rigid classification impossible as well as useless. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Penguin UK
An authoritative new translation of Plato's The Republic by Christopher Rowe, with notes and an introduction. 'We set about founding the best city we could, because we could be confident that if it was good we would find justice in it' The Republic, Plato's masterwork, was first enjoyed 2,400 years ago and remains one of the most widely-read books in the world: as a foundational work of Western philosophy, and for the richness of its ideas and virtuosity of its writing. Presented as a dialogue between Plato's teacher Socrates and various interlocutors, it is an exhortation to philosophy, inviting its readers to reflect on the choices to be made if we are to live the best life available to us. This complex, dynamic work creates a picture of an ideal society governed not by the desire for money, power or fame, but by philosophy, wisdom and justice. Christopher Rowe's accurate and enjoyable new translation remains faithful to the many variations of the Republic's tone, style and pace. This edition also contains a chronology, further reading, an outline of the work's main arguments and an introduction discussing Plato's relationship with Socrates, and the Republic's style, ideas and historical context.
The Benjamin Jowett Translation
A collection of Plato's dialogs addresses the importance of cross-examination in the search for truth, the nature of rhetoric and love, and the art of persuasion.
Essays on Plato and Socrates
Author: Alexander Nehamas
Publisher: Princeton University Press
The eminent philosopher and classical scholar Alexander Nehamas presents here a collection of his most important essays on Plato and Socrates. The papers are unified in theme by the idea that Plato's central philosophical concern in metaphysics, ethics, and aesthetics was to distinguish the authentic from the fake, the original from its imitations. In approach, the collection displays Nehamas's characteristic combination of analytical rigor and sensitivity to the literary form and dramatic effect of Plato's work. Together, the papers represent Nehamas's distinct and original contributions to scholarship on Plato and Socrates and serve as a comprehensive introduction to the thought of these two philosophers. In the book's opening section, Nehamas discusses Plato's representation of Socrates as a model of authentic human goodness, showing that Plato's Socrates is a more skeptical, troubling, and individualistic thinker than is usually supposed. The papers in the second section form a sustained defense of a new and important understanding of Plato's theory of the forms and the evolution of that theory in Plato's later writings. The third section examines Plato's contention that popular entertainment--by which he meant Greek epic and tragic poetry--misleads its audience into a debased life, an argument Nehamas relates to modern anxieties about television and other forms of popular culture. The collection also includes a discussion of Plato's use of the dialogue form in his representation of Socrates and carefully examines the combination of literary and philosophical elements in his work. Nehamas argues in the book that Plato's specific judgments of what is authentic are often flawed, but that his idea of authenticity as the mark of truth, beauty, and goodness is stronger than many modern scholars have assumed. In drawing together Nehamas's many influential ideas about Plato and Socrates, Virtues of Authenticity is a major contribution to the study of ancient Greek philosophy.
Author: Jan Baars
Publisher: JHU Press
In this deeply considered meditation on aging in Western culture, Jan Baars argues that, in today’s world, living longer does not necessarily mean living better. He contends that there has been an overall loss of respect for aging, to the point that understanding and "dealing with" aging people has become a process focused on the decline of potential and the advance of disease rather than on the accumulation of wisdom and the creation of new skills. To make his case, Baars compares and contrasts the works of such modern-era thinkers as Foucault, Heidegger, and Husserl with the thought of Plato, Aristotle, Sophocles, Cicero, and other Ancient and Stoic philosophers. He shows how people in the classical period—less able to control health hazards—had a far better sense of the provisional nature of living, which led to a philosophical and religious emphasis on cultivating the art of living and the idea of wisdom. This is not to say that modern society’s assessments of aging are insignificant, but they do need to balance an emphasis on the measuring of age with the concept of "living in time." Gerontologists, philosophers, and students will find Baars' discussion to be a powerful, perceptive conversation starter. -- W. Andrew Achenbaum, author of Older Americans, Vital Communities
Esotericism and Fear in the Political Philosophy of Leo Strauss
Author: Sean Noah Walsh
Publisher: Lexington Books
This book critically examines Leo Strauss’s claim that the philosophers of antiquity, especially Plato, wrote esoterically, hiding the highest truths “exclusively between the lines.” Reading Strauss’s discourse through Lacanian psychoanalysis, his theory of esoteric writing can be understood as a pathologically perverse response to fear.
Plato's Understanding of Techne
Author: David Roochnik
Publisher: Penn State Press
A comprehensive discussion of Plato's treatment of techne (technical knowledge), which shows that the final goal of Platonic philosophy is nontechnical wisdom. The Greek word &"techne,&" typically translated as &"art,&" but also as &"craft,&" &"skill,&" &"expertise,&" &"technical knowledge,&" and even &"science,&" has been decisive in shaping our &"technological&" culture. Here David Roochnik comprehensively analyzes Plato's treatment of this crucial word. Roochnik maintains that Plato's understanding of both the goodness of techne, as well as its severe limitations and consequent need to be supplemented by &"nontechnical&" wisdom, can speak directly to our own concerns about the troubling impact technology has had on contemporary life. For most commentators, techne functions as a positive, theoretical model through which Plato attempts to articulate the nature of moral knowledge. Scholars such as Terence Irwin and Martha Nussbaum argue that Plato&’s version of moral knowledge is structurally similar to techne. In arguing thus, they attribute to Plato what Nietzsche called &"theoretical optimism,&" the view that technical knowledge can become an efficient panacea for the dilemmas and painful contingencies of human life. Conventional wisdom has it, in short, that for Plato technical, moral knowledge can solve life's problems. By systematically analyzing Socrates&’ analogical arguments, Roochnik shows the weakness of the conventional view. The basic pattern of these arguments is this: if moral knowledge is analogous to techne, then insurmountable difficulties arise, and moral knowledge becomes impossible. Since moral knowledge is not impossible, it cannot be analogous to techne. In other words, the purpose of Socrates' analogical arguments is to reveal the limitations of techne as a model for the wisdom Socrates so ardently seeks. For all the reasons Plato is so careful to present in his dialogues, wisdom cannot be rendered technical; it cannot become techne. Thus, Roochnik concludes, Plato wrote dialogues instead of technical treatises, as they are the appropriate vehicle for his expression of nontechnical wisdom.
Studies in Philosophical and Literary Style
Author: Berel Lang
Publisher: Bucknell University Press
Selected Readings in Aesthetics from Plato to Heidegger
Author: Albert Hofstadter,Richard Kuhns
Publisher: University of Chicago Press
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism.