Where is Production?

Inquiries Into Contemporary Sculpture

Author: Mary Ceruti,Sculpture Center (New York, N.Y.),Ruba Katrib

Publisher: Black Dog Pub Limited

ISBN: 9781908966254

Category: Art

Page: 71

View: 6950

Where is Production? is the first instalment of Black Dog Publishing’s series Inquiries into Contemporary Sculpture that explores what constitutes, excites, entangles, and necessitates ideas and questions around sculpture. Each volume in the series chooses a different line of inquiry, aided by a select group of artists, curators and historians. Where is Production? is an exploration into the medium’s modes and sites of production. It questions the meaning of the word 'production’ itself, what it encompasses, and how it informs and leads sculptural practice today. With contributions by SculptureCenter members of staff - Mary Ceruti, the Executive Director and Chief Curator, and Ruba Katrib, Curator - alongside artist Carol Bove and Editor-in-chief of Artforum magazine Michelle Kuo, amongst others. Where is Production? is an insightful, thought-provoking look at contemporary sculpture, for those interested in the field and contemporary art as a whole. The SculptureCenter is a not-for-profit arts institution in Long Island City, New York, dedicated to experimental and innovative developments in contemporary sculpture.

How Does It Feel?

Inquiries Into Contemporary Sculpture

Author: Mary Ceruti,Ruba Katrib

Publisher: Black Dog Publishing

ISBN: 9781910433683

Category:

Page: 96

View: 5333

How Does it Feel? is the third book in the series, Inquiries Into Contemporary Sculpture, produced in partnership with SculptureCenter, New York. This volume examines the sensory aspects of contemporary sculpture. Taking into account artists who incorporate touch, smell, and taste in their work, the various contributions investigate experiential factors that are beyond the three-dimensional. Comprising of essays, short reflections, and illustrated throughout, How Does it Feel? is a comprehensive and insightful exploration, with contributions from an international assemblage of artists, writers, art historians and curators working in the field. Following on from the first two highly successful books Where is Production? and What About Power?, this title adds further insight into the dynamic sphere of contemporary sculpture. Inquiries Into Contemporary Sculpture is one of many partnership series of books published by Black Dog Publishing, with others including titles with Art in General, Royal College of Art, London, and Fondazione Antonio Ratti.

What about Power?

Inquiries Into Contemporary Sculpture

Author: Mary Ceruti,Ruba Katrib

Publisher: Black Dog Pub Limited

ISBN: 9781908966841

Category: Art

Page: 96

View: 5656

What about Power? is the second book in our three part Inquiries into Contemporary Sculpture series, which explores a range of thematics within the field of contemporary sculptural art. What about Power? draws together a range of perspectives that examine the contemporary intersections of power and sculpture. From ritual to monument, sculpture is embedded within various power dynamics, whether political, spiritual, erotic, or otherwise. Sculpture's relationship to power is distinct, as it is engaged with particular spatial and physical realms hinged on considerations of architecture and the body. The book reflects on themes of will, subjugation, desire, fetish, scale, and reflects on the way these relationships have shifted throughout time. The contributors to this publication speak to where they stand now, asking, what are the power dynamics around sculpture today? Comprising essays, short reflections and images throughout, What about Power? is a comprehensive and insightful exploration, with contributions from an international assemblage of artists, writers, art historians and curators working in the field. Contributors include: Heman Chong, Malik Gaines, Gordon Hall, Anthea Hamilton, Jumana Manna and Carissa Rodriguez.

Artists and Their Books / Books and Their Artists

Author: Marcia Reed,Glenn Phillips

Publisher: 2018-07-10

ISBN: 1606065734

Category: Art

Page: 200

View: 2868

This stunning volume illuminates the current moment of artists’ engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists’ books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn’s Coracle Press or Harry and Sandra Reese’s Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists’ books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes over one hundred important examples selected from the Getty Research Institute’s Special Collections of more than six thousand editions and unique artists’ books. This volume also presents precursors to the artist’s book, such as Joris Hoefnagel’s sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht Dürer’s Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists’ books on Pop Art, Fluxus, Conceptualism, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.

Mark Dion

Misadventures of a 21st-Century Naturalist

Author: Ruth Erickson

Publisher: Yale University Press

ISBN: 0300224079

Category: Art

Page: 216

View: 6123

A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions offer novel approaches to questioning institutional power, which he sees as connected to the control and representation of nature. Generously illustrated, this publication introduces new insights and features more than seventy-five artworks. Essays address topics ranging from Dion's ecological activism to his loving critique of museums. A diverse group of contributors explores his work as a teacher, his public artworks such as Neukom Vivarium in Seattle, and his intricate curiosity cabinets installed throughout the world. They reveal how Dion's practice and formal investigations--which are rooted in history--connect to contemporary questions of disciplinary boundaries and the acquisition of knowledge in the age of the Anthropocene.

Sculpture and Psychoanalysis

Author: Brandon Taylor

Publisher: Routledge

ISBN: 135154960X

Category: Art

Page: 253

View: 2666

Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key metaphors of Freudian and Kleinian psychoanalysis - splitting, projection, sublimation, identification, the schizoid and reparative mechanisms - as well as Lacan's concepts of the stade du mirroir and the objet petit a, can be fruitfully applied to a range of modern three-dimensional art, from Surrealism to the present day. As these essays show, figures such as Barbara Hepworth, Eva Hesse, Jean-Jacques Lebel, Robert Morris, Donald Judd, Gilbert and George, Rebecca Horn and others have often approached the material of sculpture with something like these mechanisms in mind. The need to unlock the levels of psychoanalytic connection between artist, object and viewer in recent debate has fuelled the diverse proposals of this original and important book.

Art and the Public Sphere

Author: W. J. Thomas Mitchell

Publisher: N.A

ISBN: N.A

Category: Art

Page: 268

View: 6085

This anthology of wide-ranging essays by leading critics and artists addresses recent controversies in American public art. Prevailing issues focus on historical, symbolic, political, legal, and cultural concerns.

Lines Drawn Upon the Water

First Nations and the Great Lakes Borders and Borderlands

Author: Karl S. Hele

Publisher: Wilfrid Laurier Univ. Press

ISBN: 1554580048

Category: History

Page: 351

View: 7177

Proceedings of a conference held at University of Western Ontario, London, Ont., Feb. 11-12, 2005.

Indian art, an overview

Author: Gayatri Sinha

Publisher: books catalog

ISBN: N.A

Category: Art

Page: 238

View: 7735

Indian Art: An Overview is a seminal study on Indian art's entry through modernism into post-modernism. Through fifteen essays, leading tendencies in Indian art are traced from the period of the 1850s onwards. Leading critics and art historians analyze th

Critical Issues in Public Art

Content, Context, and Controversy

Author: Harriet Senie

Publisher: Smithsonian Institution

ISBN: 1588344347

Category: Art

Page: 336

View: 1917

In this groundbreaking anthology, twenty-two artists, architects, historians, critics, curators, and philosophers explore the role of public art in creating a national identity, contending that each work can only be understood by analyzing the context in which it is commissioned, built, and received. They emphasize the historical continuum between traditional works such as Mount Rushmore, the Washington Monument, and the New York Public Library lions, in addition to contemporary memorials such as the Vietnam Veterans Memorial and the Names Project AIDS Quilt. They discuss the influence of patronage on form and content, isolate the factors that precipitate controversy, and show how public art overtly and covertly conveys civic values and national culture. Complete with an updated introduction, Critical Issues in Public Art shows how monuments, murals, memorials, and sculptures in public places are complex cultural achievements that must speak to increasingly diverse groups.

Ends and Means

An Inquiry Into the Nature of Ideals and Into the Methods Employed for Their Realization

Author: Aldous Huxley

Publisher: Transaction Publishers

ISBN: 1412847001

Category: Progress

Page: 386

View: 6646

An Introduction to Art

Author: Charles Harrison

Publisher: Yale University Press

ISBN: 0300109156

Category: Art

Page: 335

View: 5958

Covering the history of art, from Paleolithic cave painting onwards, this book provides foundational guidance to the basic character and techniques of the different art forms, to the various genres of painting in the western tradition, and to the techniques of sculpture as they have been practised over several millenia and across cultures.

Public Art Encounters

Art, Space and Identity

Author: Martin Zebracki,Joni M. Palmer

Publisher: Routledge

ISBN: 1317073835

Category: Social Science

Page: 240

View: 3726

Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.

Walter Pater and the Language of Sculpture

Author: Lene ?termark-Johansen

Publisher: Routledge

ISBN: 1351537229

Category: Art

Page: 402

View: 5118

Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely interlinked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene ?termark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: The critic is repositioned solidly within Victorian art and literature.

Hereditary Genius

An Inquiry Into Its Laws and Consequences

Author: Sir Francis Galton

Publisher: N.A

ISBN: N.A

Category: Genius

Page: 390

View: 3000

Becoming Past

History in Contemporary Art

Author: Jane Blocker

Publisher: N.A

ISBN: 9780816696987

Category: Art

Page: 248

View: 5491

Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. If there is, by what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is--or should be--contemporary art history, Blocker argues, but how. Focusing on a significant aspect of current art practice⎯in which artists have engaged with historical subject matter, methods, and inquiry⎯Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history, to theater, to performance, to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto. Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art.

101 Things to Learn in Art School

Author: Kit White

Publisher: MIT Press

ISBN: 0262300133

Category: Art

Page: 224

View: 8238

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp's famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca's arrow-pierced Saint Sebastian.101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.

500 Raku

Bold Explorations of a Dynamic Ceramics Technique

Author: Ray Hemachandra

Publisher: Lark Books (NC)

ISBN: 9781600592942

Category: Crafts & Hobbies

Page: 420

View: 821

Presents a full-color gallery of pieces that employ raku, an ancient ceramics technique, including cups, plates, bowls, vases and statues. Original.

Vitamin C: Clay and Ceramic in Contemporary Art

Author: Clare Lilley,Phaidon Editors

Publisher: Phaidon Press

ISBN: 9780714874609

Category: Art

Page: 304

View: 7434

A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.