Within the Frame

The Journey of Photographic Vision

Author: David duChemin

Publisher: New Riders

ISBN: 0134288750

Category: Photography

Page: 288

View: 4018

Within the Frame (2009) received critical recognition for its humanity and practical teaching, and in this revision of his classic best-selling book, David duChemin encourages you to search for what matters to you and not give up until you convey it through your photography: “I’m chasing my vision, and you will chase yours in the places best suited to that. What’s important is that you chase that vision intentionally and with passion, refusing to let it be anything but yours and yours alone.” Through a heartfelt discussion about creating photographs of people, places, cultures, and the discovery of a personal point of view that makes those stories compelling and authentic, David teaches how to seek and serve your creative vision through the art of photography by highlighting images from his adventures around the world. Regardless of the setting, it’s the lessons about the central role of vision and expression in photography that sets this book apart, even if you never wander far from home. David shares the nuances of approaching different subjects, the value of scouting locations (and wandering in unfamiliar places), techniques for photographing landscapes, how to capture a sense of place and culture with sensitivity through images of food, festivals, art and faith, and more. This edition includes new images, creative exercises, updated chapters, a streaming companion video, and discussions about changing perspectives, including an increased focus on landscape photography. Most importantly, David maintains the crucial theme of vision–and he helps you find, cultivate, and pursue your own, and then fit it within the frame. “If the book simply stayed right there in the realm of how-to, go-to advice, it would be a wonderful book indeed. But it crosses the line from useful to inspired because David opens up much more than his camera bag. He opens his considerable heart and mind, both of which belong to a masterful storyteller driven by an acute sympathy for the human condition, coupled with an intense curiosity and respect for both the differences and the sameness of the world.” –Joe McNally, photographer, author of The Hot Shoe Diaries and The Moment It Clicks “David does something here that few have ever done–he not only shows his absolutely captivating images, he shows the thought process behind those images, as well as how to start capturing the types of images we all long to take. People will be talking about this book for years to come. It’s that good!” –Scott Kelby, photographer and best-selling author “Some photographers inspire you with how great their photographs are, while other photographers inspire you to be a better photographer; David duChemin does both in Within the Frame.” –John Paul Caponigro, photographer

Within the Frame

The Journey of Photographic Vision

Author: David duChemin

Publisher: New Riders

ISBN: 9780321716859

Category: Photography

Page: 272

View: 2755

Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.

VisionMongers

Making a Life and a Living in Photography

Author: David duChemin

Publisher: New Riders

ISBN: 9780321702876

Category: Photography

Page: 272

View: 6504

For those who want to make the transition into the world of vocational photography—staying true to your craft and vision, while fusing that craft with commerce VisionMongers is a great place to begin your journey. With a voice equally realistic and encouraging, photographer David duChemin discusses the experiences he’s had, the lessons he’s learned, and the practices he’s adopted in his own winding journey to becoming a successful working photographer. When it comes to this personal, honest combination of craft and commerce, there is no single path to success. Everyone’s goals are different, as is everyone’s definition of success. As such, VisionMongers does not prescribe a one size-fits-all program. Instead, duChemin candidly shares ideas, wisdom, and inspiration to introduce you to, and help you navigate, the many aspects of transforming your passion into your vocation. He addresses everything from the anxiety-riddled question “Am I good enough?” to the basics—and beyond—of marketing, business, and finance, as well as the core assumption that your product is great and your craft is always improving. Along the way, duChemin features the stories of nine other photographers—including Chase Jarvis, Gavin Gough, and Zack Arias—whose paths, while unique, have all shared a commitment and passion for bringing their own vision to market. With VisionMongers, you’ll learn what paths have been taken—what has worked for these photographers—and you’ll be equipped to begin the process of forging your own.

The Digital Photography Book

The Step-by-step Secrets for how to Make Your Photos Look Like the Pros'!

Author: Scott Kelby

Publisher: Pearson Education

ISBN: 0321934946

Category: Photography

Page: 239

View: 2081

Furnishes an overview of digital photography, covering such topics as cameras, exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time.

Photographically Speaking

A Deeper Look at Creating Stronger Images

Author: David duChemin

Publisher: New Riders

ISBN: 0132733234

Category: Photography

Page: 272

View: 3195

When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.

The Frame-Up

Author: Wendy McLeod MacKnight

Publisher: HarperCollins

ISBN: 0062668323

Category: Juvenile Fiction

Page: 384

View: 1466

When Sargent Singer discovers that the paintings in his father’s gallery are alive, he is pulled into a captivating world behind the frame that he never knew existed. Filled with shady characters, devious plots, and a grand art heist, this inventive mystery-adventure celebrates art and artists and is perfect for fans of Night at the Museum and Blue Balliett’s Chasing Vermeer. There’s one important rule at the Beaverbrook Gallery—don’t let anyone know the paintings are alive. Mona Dunn, forever frozen at thirteen when her portrait was painted by William Orpen, has just broken that rule. Luckily twelve-year-old Sargent Singer, an aspiring artist himself, is more interested in learning about the vast and intriguing world behind the frame than he is in sharing her secret. And when Mona and Sargent suspect shady dealings are happening behind the scenes at the gallery, they set out to find the culprit. They must find a way to save the gallery—and each other—before they are lost forever. With an imaginative setting, lots of intrigue, and a thoroughly engaging cast of characters, The Frame-Up will captivate readers of Jacqueline West’s The Books of Elsewhere.

From Within the Frame

Storytelling in African-American Studies

Author: Bertram D. Ashe

Publisher: Routledge

ISBN: 1136711139

Category: Literary Criticism

Page: 144

View: 5674

The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale"-an inside-the-text storyteller telling a tale to an inside-the-text listener-with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late 20th century.

Fill the Frame

Recalling My Adventures from the Golden Age to the Digital Age of Photography

Author: Joe DiMaggio

Publisher: BookBaby

ISBN: 1543905870

Category: Photography

Page: 300

View: 725

The art of photography has evolved over the last fifty years, and nowhere is it more evident than in the works of photographer Joe DiMaggio. Tracing his career from the 1960s to the present day, Fill The Frame describes DiMaggio’s time working for publications like Sports Illustrated, TIME Magazine, and HBO. He goes into vivid detail about the celebrities, sports figures and other personalities he shot over the years. If you’ve ever wanted to know the stories behind the photographs, Fill The Frame will fill you in.

Frame Innovation

Create New Thinking by Design

Author: Kees Dorst

Publisher: MIT Press

ISBN: 0262324318

Category: Business & Economics

Page: 224

View: 9712

How organizations can use practices developed by expert designers to solve today's open, complex, dynamic, and networked problems.

In the Frame

My Life in Words and Pictures

Author: Helen Mirren

Publisher: Simon and Schuster

ISBN: 9781416573418

Category: Biography & Autobiography

Page: 272

View: 3437

Helen Mirren has been an internationally acclaimed actress--and the recipient of many awards, transferring between stage, cinema and television--for over 40 years. Known in her youth for a forthright style, a liberated attitude and a bohemian outlook, she has never ceased to be out of the public eye, with legions of admiring fans all over the world. This illustrated memoir is an account of an extraordinary talent, and a life well lived. Helen's aristocratic Russian grandfather, Pyotr Vasilievich Mironov, a military man, was sent to London by the Czar and found himself stranded and penniless by the Bolshevik revolution, cut off from the family estate near Smolensk. He brought with him a trunk of papers and photographs. This delightful memoir starts with the contents of the trunk, with evocative pictures of Helen's Russian antecedents. She has kept a rich seam of photo-graphs and memorabilia from her life, and her parents, family life, childhood, teenage and early years as an actress living in insalubrious flats are vividly documented. Helen's many distinguished roles in theatre, cinema and television and the illustrious men and women she has encountered are commemorated, as well as her forays into Hollywood and her sub-sequent life in the United States with her husband, film director Taylor Hackford. Golden Globe and Oscar ceremonies make their appearance, as do many stunning images of Helen by the world's leading photographers. In the Frame: My Life in Words and Pictures is a book to savour, created and written by one of the great personalities of our age.

An Introduction to the Therapeutic Frame

Author: Anne Gray

Publisher: Routledge

ISBN: 1134702752

Category: Psychology

Page: 164

View: 6165

Designed for psychotherapists and counsellors in training, An Introduction to the Therapeutic Frame clarifies the concept of the frame - the way of working set out in the first meeting between therapist and client. This Classic Edition of the book includes a brand new introduction by the author. Anne Gray, an experienced psychotherapist and teacher, uses lively and extensive case material to show how the frame can both contain feelings and further understanding within the therapeutic relationship. She takes the reader through each stage of therapeutic work, from the first meeting to the final contact, and looks at those aspects of management that beginners often find difficult, such as fee payment, letters and telephone calls, supervision and evaluation. Her practical advice on how to handle these situations will be invaluable to trainees as well as to those involved in their training.

Bending the Frame

Photojournalism, Documentary, and the Citizen

Author: Fred Ritchin

Publisher: N.A

ISBN: 9781597111201

Category: Photography

Page: 175

View: 2725

The older paradigm for photojournalists was to simply record events, with the hopeand frequently the expectationthat people and their governments would be moved to respond to the injustices pictured; as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame: Photojournalism, Documentary, and Citzenship, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media to impact society. Ritchin examines the historical and contemporary uses of photography and related media to inspire social change. From the unintended consequences of citizen journalism and leaked images such as those from Abu Ghraib, to the new strategies by visual journalists and the targeted human rights projects by documentary photographers, the intention of this book is to provide a much-needed critical approach to the issues involved in such efforts. Also encompassing online efforts, uses of video, and a diverse range of books and exhibitions, Bending the Frame aims for as wide-ranging and farreaching a discussion as possible, asking the critical question: how can images promote new thinking and make a difference in the world?

Phenomenology of the Visual Arts (even the Frame)

Author: Paul Crowther

Publisher: Stanford University Press

ISBN: 0804762147

Category: Art

Page: 252

View: 7732

The book is a comprehensive phenomenological study of meanings that are unique to the major visual art forms.

Everyday Legal Ontology

A Psychological and Linguistic Investigation Within the Framework of Leon Petrażycki's Theory of Law

Author: Edoardo Fittipaldi

Publisher: N.A

ISBN: 9788879166003

Category: Law

Page: 301

View: 3653

The Soul of the Camera

The Photographer's Place in Picture-Making

Author: David duChemin

Publisher: Rocky Nook, Inc.

ISBN: 1681982048

Category: Photography

Page: 288

View: 2567

As both an art form and a universal language, the photograph has an extraordinary ability to connect and communicate with others. But with over one trillion photos taken each year, why do so few of them truly connect? Why do so few of them grab our emotions or our imaginations? It is not because the images lack focus or proper exposure; with advances in technology, the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even—if we’re being truthful—with ourselves.

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In The Soul of the Camera: The Photographer’s Place in Picture-Making, David explores what it means to make better photographs. Illustrated with a collection of beautiful black-and-white images, the book’s essays address topics such as craft, mastery, vision, audience, discipline, story, and authenticity. The Soul of the Camera is a personal and deeply pragmatic book that quietly yet forcefully challenges the idea that our cameras, lenses, and settings are anything more than dumb and mute tools. It is the photographer, not the camera, that can and must learn to make better photographs—photographs that convey our vision, connect with others, and, at their core, contain our humanity. The Soul of the Camera helps us do that.

Arts for Change

Teaching Outside the Frame

Author: Beverly Naidus

Publisher: New Village Press

ISBN: 1613320639

Category: Art

Page: 239

View: 8329

A provocative, personal look at the motivations and challenges of teaching socially engaged arts, Arts for Change overturns conventional arts pedagogy with an activist's passion for creating art that matters. How can polarized groups work together to solve social and environmental problems? How can art be used to raise consciousness? Using candid examination of her own university teaching career as well as broader social and historical perspectives, Beverly Naidus answers these questions, guiding the reader through a progression of steps to help students observe the world around them and craft artistic responses to what they see. Interviews with over 30 arts education colleagues provide additional strategies for successfully engaging students in what, to them, is most meaningful.

Oak: The Frame of Civilization

Author: William Bryant Logan

Publisher: W. W. Norton & Company

ISBN: 0393327787

Category: Nature

Page: 336

View: 9968

A history of the oak tree identifies its significance in religious rites, homemaking, travel, literature, and the outcome of key military conflicts, in an account that documents the communitarian and educational nature of the oak and what it reveals about the natural world's link to science, philosophy, spirituality, and other human disciplines. Reprint.

Biologically Inspired Cognitive Architectures 2012

Proceedings of the Third Annual Meeting of the BICA Society

Author: Antonio Chella,Roberto Pirrone,Rosario Sorbello,Kamilla Rún Jóhannsdóttir

Publisher: Springer Science & Business Media

ISBN: 3642342736

Category: Computers

Page: 376

View: 6653

The challenge of creating a real-life computational equivalent of the human mind requires that we better understand at a computational level how natural intelligent systems develop their cognitive and learning functions. In recent years, biologically inspired cognitive architectures have emerged as a powerful new approach toward gaining this kind of understanding (here “biologically inspired” is understood broadly as “brain-mind inspired”). Still, despite impressive successes and growing interest in BICA, wide gaps separate different approaches from each other and from solutions found in biology. Modern scientific societies pursue related yet separate goals, while the mission of the BICA Society consists in the integration of many efforts in addressing the above challenge. Therefore, the BICA Society shall bring together researchers from disjointed fields and communities who devote their efforts to solving the same challenge, despite that they may “speak different languages”. This will be achieved by promoting and facilitating the transdisciplinary study of cognitive architectures, and in the long-term perspective – creating one unifying widespread framework for the human-level cognitive architectures and their implementations. This book is a proceedings of the Third Annual Meeting of the BICA Society, which was hold in Palermo-Italy from October 31 to November 2, 2012. The book describes recent advances and new challenges around the theme of understanding how to create general-purpose humanlike artificial intelligence using inspirations from studies of the brain and the mind.

New Taiwanese Cinema in Focus

Moving Within and Beyond the Frame

Author: Flannery Wilson

Publisher: Edinburgh University Press

ISBN: 1474408141

Category: Performing Arts

Page: N.A

View: 9509

In the Taiwanese film industry, the dichotomy between 'art-house' and commercially viable films is heavily emphasized. However, since the democratization of the political landscape in Taiwan, Taiwanese cinema has become internationally fluid. As the case studies in this book demonstrate, filmmakers such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang, and Ang Lee each engage with international audience expectations. New Taiwanese Cinema in Focus therefore presents the Taiwanese New Wave and Second Wave movements with an emphasis on intertextuality, citation and trans-cultural dialogue. Wilson argues that the cinema of Taiwan since the 1980s should be read emblematically; that is, as a representation of the greater paradox that exists in national and transnational cinema studies. She argues that these unlikely relationships create the need for a new way of thinking about 'transnationalism' altogether, making this an essential read for advanced students and scholars in both Film Studies and Asian Studies.

The Print and the Process

Taking Compelling Photographs from Vision to Expression

Author: David duChemin

Publisher: New Riders

ISBN: 0133085414

Category: Photography

Page: 264

View: 7407

The Print and the Process is a book of ideas, thoughts, and techniques about our photographs and the process that leads us to the final image. (To be clear, it is not an instructional book about how to print your images.) In this beautiful book, David duChemin takes the reader behind the scenes on four distinct photographic projects, discussing motivation, image creation, and post-production. The projects he walks the reader through are from Iceland, Kenya, Antarctica, and Venice–and for each he discusses the hows and whys of his own image-making process. Each project begins with a beautiful series of 20-30 final images from that project–this is "the print" section, and it's geared for the reader to really take in those images holistically. Then, duChemin discusses "the process" behind creating those images. In this section, the reader will see the project images again but as thumbnails, and David goes through each one, explaining very thoroughly his process. duChemin does not "pre-visualize" a scene, as Ansel Adams famously discussed. Instead, he feels it. And it's from that feeling that he begins working with the elements in front of him and looking at the choices available to him. As he moves around, including and excluding elements from the frame, the camera and the photographer become collaborators. It's from this struggle that the final image emerges. DuChemin has been making images for over two decades, and this process has changed and evolved during that time. By exploring duChemin's images and reflecting on the process behind them–both behind the camera and in post-processing–the reader learns to pay more attention to their own process, and identify ways in which their process can be further examined and improved in order to take more compelling images.